Gene Malin born 30 June 1908 (d. 1933)Gene Malin was an American actor, emcee, and drag performer during the Jazz Age. He was arguably the first openly gay performer in Prohibition-era Speakeasy culture, and started the so-called Pansy Craze.
Gene Malin, also known by his stage name Jean Malin, was born Victor Eugene James Malin in Brooklyn to working class Polish/Lithuanian parents. He had 2 brothers and 2 sisters. One brother became a police officer, and the other worked for a sugar refinery, but Gene had other inclinations early on. As a teenager, Gene was already winning prizes for his costumes at the elaborate Manhattan Drag Balls of the 1920s. By his late teens, Malin had worked as a chorus boy in several Broadway shows but was considered too effeminate. Around the same period, Malin worked at several Greenwhich Village clubs as a drag performer, most notably the Rubaiyat.
Several columnists noted his talent and in 1930 (at age 22) Malin was booked at Louis Schwartzs' elegant Club Abbey at 46th and 8th Ave. It was at this point that Malins' career and fate took a most interesting turn. Although Malin was at times assisted by 'Helen Morgan Jr', a popular drag artist of the day, he did not appear in drag himself. The crux of his act was not to impersonate women, but to appear as an openly gay male. Here he moved on stage and amongst the audience members as a Tuxedo clad, elegant, witty, wisecracking Emcee (the Master of Ceremonies). He still often resorted to a broad exaggerated swishing image and the many other such 'Pansy acts' that followed often had a tone of a straight Vaudeville man doing an exaggerated impersonation of an effeminate 'Pansy'. Perhaps the joke had several levels - as the performer was often a gay man doing his impression of a straight man doing his impression of a gay man. In doing so, Malin and other such performers as Karl Norman and Ray Bourbon ignited a 'Pansy Craze' in New York’s speakeasies and later in other cities as well.
Malin became the top earner of Broadway for a time. After headlining numerous New York Clubs, he took his act to Boston and ultimately to the West Coast. While in Hollywood, he appeared in several films, usually as the stock character of a witty limp-wristed sales assistant.
In the early hours of August 10, 1933, Gene Malin was killed in a freak accident. He had just performed a 'farewell performance' at the Ship Cafe in Venice, California. He piled into his sedan car with roommate Jimmy Forlenza and comedic actress Patsy Kelly. It seems that Malin confused the gears and the car lurched in reverse and went off a pier into the water. Malin was instantly killed (pinned under the steering wheel) the other two were seriously hurt, but miraculously survived. Malin was only 24 years of age at the time of his death.
Although many in his audience probably saw him as one more oddity, in a short span of time Gene Malin had made history. Alas, little survives beyond a couple of recordings, and a very few film appearances and photos.
Malin left behind two recordings, released posthumously and pressed in a single royal blue shellac 78, That's What's the Matter With Me and I'd Rather Be Spanish Than Mannish; the latter can be heard here.
Strangely, he was married briefly; his wife was Lucille (or Fay) Helman who was later a notorious madam in Manhattan who was convicted in 1936 and 1942 of sending prostitutes across state lines.They married in Los Angeles in 1931 and applied for a Mexican divorce the year he was killed.





















































