Fred Ebb born 8 April 1935* (d. 2004)
Fred Ebb was a musical theatre lyricist who had many successful collaborations with composer John Kander.
Born in Manhattan to a Jewish family, Ebb worked during the early 1950s bronzing baby shoes and as a trucker's assistant, and he also was employed in a department store credit office and at a hosiery company. In 1955, he graduated from New York University with a bachelor’s degree in English Literature, and two years later, he earned his Master’s from Columbia University. His first professional writing experience was with Phil Springer, together they wrote a number of successful songs.
On his first theatrical writing job he did songs with Norman Martin for the revue Put It in Writing. He also worked with composer Paul Klein in the late 1950s, contributing songs to the Broadway revue From A to Z. With Klein, Ebb wrote his first book musical, Morning Sun. Originally, Bob Fosse was attached as director. Fosse eventually withdrew from the project, and the show was unsuccessful.
Music publisher Tommy Valando introduced Ebb to Kander in 1962. After a few songs such as My Coloring Book, Kander and Ebb wrote a stage musical, Golden Gate, that was never produced. However, the quality of the score convinced producer Harold Prince to hire them for their first professional production, the George Abbott-directed musical Flora the Red Menace. Although it won star Liza Minnelli a Tony Award, the show closed quickly.
Their second collaboration, Cabaret, was considerably more successful, running for nearly three years. Directed by Prince and based on the John Van Druten play I Am a Camera (which, in turn, was based on the writing of Christopher Isherwood), the musical starred Jill Haworth as Sally Bowles, Lotte Lenya as Fraulein Schneider and Joel Grey as the emcee. It won eight of the 11 Tony Awards for which it was nominated, including Best Musical and Best Score. Adapted into a film by Bob Fosse, it won numerous Academy Awards, though not Best Picture. It was revived twice on Broadway, first in 1987 with Grey reprising his role and again in 1998 in a long-running revival, originally starring Alan Cumming as the emcee and Natasha Richardson as Sally Bowles, a production transfered from the West End, where it has since been revived again in 2006.
Their next few works were less successful: The Happy Time ran for less than a year. Zorba, directed by Prince, also ran less than a year, though it was more successful in its 1983 revival; and 70, Girls, 70, which was originally intended as an off-Broadway production, closed after 35 performances.
In 1972, he wrote the television special, Liza with a Z. In 1974, Kander, Ebb and Fosse, contributed to Liza (concert), a concert for Minnelli on Broadway. In 1975, the team wrote the score to Funny Lady, the sequel to Funny Girl.
Chicago (1975) had mixed reviews but ran for more than two years. Starring Chita Rivera, Jerry Orbach and Gwen Verdon in her last Broadway role, it suffered from a cynical attitude, which contrasted with the record-breaking popularity of A Chorus Line. Though rumours of a film production directed again by Fosse were heard, the show did not seriously resurface until 1996, when it was revived as part of the Encores! series. A huge hit, the minimalist production transferred to Broadway and is still running. Chicago has also been running in the West End for ten years. A film version was eventually produced (in 2002) and won Best Picture at the Academy Awards.
Ebb himself wrote the book for Shirley MacLaine’s Broadway solo revue in 1976. The following year, Kander and Ebb worked with Minnelli and Martin Scorsese twice: first, in the film New York, New York, which had them write what is perhaps their best-known song, the title track; and, again in The Act, a musical about a fictional nightclub act. It ran for under ten months. After contributing a song to Phyllis Newman’s one woman musical, the team wrote Woman of the Year, which starred Lauren Bacall and won the team their second Tony Award for Best Score.
The Rink (1984) teamed Kander and Ebb again with Minnelli and Rivera. Following the closure of the show after six months, Kander and Ebb would not produce new material, save for a song in Hay Fever in 1985, for nine years. In 1991, the revue And The World Goes 'Round opened off-Broadway, which brought Karen Ziemba, Susan Stroman and Scott Ellis to the attention of the theatre community. The team’s musical adaptation of Kiss of the Spider Woman opened in 1993, starring Chita Rivera. Reunited with director Harold Prince, the show ran for more than two years and won them their third and last Tony Award for best score.
The team’s last original work on Broadway opened in 1997. Steel Pier brought together Ziemba, Ellis and Stroman and though the show was nominated for 11 Tonys, it won none and closed after two months. It is perhaps most notable for its introduction of Kristin Chenoweth to the Broadway stage. In 1997, Ebb reworked lyrics to Richard Rodgers' melody for the television production of Cinderella. Two decades earlier, Ebb refused the opportunity to write the musical Rex with Rodgers.
Ebb died of a heart attack at his home in New York City on September 11, 2004.
At the time of his death, Ebb was working on a new musical with Kander, Curtains: A Backstage Murder Mystery Musical Comedy. The project had already lost its librettist, Peter Stone, who died in 2001. The show's orchestrator, Michael Gibson, also died while the project was underway. Coincidentally, the show is about a series of deaths during the production of a Broadway musical. Kander continued working on the project with a new librettist Rupert Holmes, writing new lyrics when necessary. The musical had its world premire in Los Angeles on July 2006, opening to positive reviews. The show transferred to Broadway in February 2007.
At its 2007 ceremony, the Drama Desk honored Kander & (the late) Ebb with a special award for '42 years of excellence in advancing the art of the musical theatre.'
Despite the 'polymorphous perverse' nature of their shows, both Kander and Ebb were reticent about discussing their homosexuality, preferring to let the songs speak for themselves but in 2003, Kander (who has lived for 26 years with one man, a choreographer and teacher) implicitly addressed rumours concerning the nature of his non-professional relations with Ebb by describing the latter to interviewer Jeffrey Tallmer as 'his 40-year partner in creativity but never in domesticity, much less romance.'
*Fred Ebb's actual birth year is a source of mystery and confusion but is somewhere between 1928 and 1936.
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