Pierre Molinier

Pierre Molinier born 13 April 1900 (d. 1976)

Pierre Molinier was a painter, photographer and 'maker of objects'. He was born in Agen (France) and lived his life in Bordeaux. He began his career by painting landscapes, but his work turned towards a fetishistic eroticism early on.

Molinier began to take photographs at the age of 18, and started his erotic production around 1950. With the aid of a wide range of specially made 'props' – dolls, various prosthetic limbs, stiletto heels, corsetry, dildos and an occasional confidante – Pierre Molinier used his own body as the basis for surreal and fantastic distortions of the human form, blurring sexuality and gender and ultimately producing a large body of photographic work. Most of his photographs, photomontages, are self-portraits of himself as a woman.

By combining costume, props, photography and photomontage he stepped beyond mere photographic representation of himself and his models to create a bizarre and distorted world of gender-confused fetishism and auto-eroticism.

He began a correspondence with André Breton and sent him photographs of his paintings. Later Breton integrated him into the Surrealist group. Breton organised an exhibition of Molinier's paintings in Paris, in January-February 1956.

In 1976, as his health began to decline, Pierre Molinier lay on his bed in front of a mirror, masturbated and committed suicide by shooting himself. The staging of his death initially led police to suspect he had been murdered but it seems that his death was Molinier's final creative act.

Pierre Molinier's enigmatic photographs influenced European and North American body artists in the early 1970s and continue to engage artists, critics, and collectors today.

Richard O'Brien

Richard O'Brien born 25 March 1942

Richard O'Brien (born Richard Timothy Smith in Cheltenham, Gloucestershire, England) is a writer, actor, television presenter and theatre performer. He is perhaps best know known for writing the cult musical The Rocky Horror Show and for his role in presenting the popular TV show The Crystal Maze.

In addition to writing The Rocky Horror Show O'Brien also starred in its 1975 film adaptation The Rocky Horror Picture Show as the character Riff Raff. The stage show has been in almost continuous production since, and the cinematic version is one of the best known and most ardently followed cult films of all time.

O'Brien's personality is also very well known in the UK for presenting the classic 1990s TV game-show The Crystal Maze. As the eccentric and energetic maze-keeper he earned the respect of contenstants and audiences alike and dazzled them all week after week with his quirky wardrobe, sharp-wit and melodic interludes on the harmonica.

In 1952, he emigrated with his family to Tauranga, New Zealand where his father had purchased a sheep farm. After learning how to ride horses, a skill which provided him with his break into the film industry as a stuntman in Carry On Cowboy, and developing a keen interest in comic books and horror films, he returned to England in 1964. Upon launching his acting career he changed his name to O'Brien — his mother's maiden name — as there was already an actor named Richard Smith.

He joined several stage productions as an actor without ever excelling or receiving critical acclaim, but that was not his primary objective. In 1972, he met director Jim Sharman who would help make his draft of a gothic-themed, schlock-horror comic-book fantasy romp into a reality. The script took O'Brien 6 months to write, Sharman suggested changing the working title They Came from Denton High to The Rocky Horror Show and the show opened in June 1973.

O'Brien tried to repeat the success and cult status that The Rocky Horror Picture Show gained, with a continuation, 1981's Shock Treatment. Four other members of the original film-cast appeared with O'Brien in the new film, which continued the story of Brad and Janet. Over the years it has achieved minor cult status, mostly thanks to the Rocky Horror phenomenon. Fans of Rocky Horror were disappointed by the absence of both the Frank N. Furter character, and Tim Curry, who played him. Curry had been offered the role of Farley Flavors, but turned it down over concerns about the required American accent. O'Brien wrote new songs for the film, which also features a rare film appearance by Australian actor Barry Humphries (famous for his character Dame Edna Everage).

He became a serial bit-part actor in cult films and has appeared in notable movies such as Flash Gordon (1980), Dark City (1998) and Dungeons & Dragons (2000).

In other roles O'Brien has conceptualised and played the role of the Child Catcher in the West End theatre production of Chitty Chitty Bang Bang. He also occasionally does cabaret-style music and comedy performances on stages around the world, singing songs from Rocky Horror among others.

In the summer of 2006 he played the Child Catcher in the Queen's 80th birthday celebrations at Buckingham Palace.

O'Brien has married twice and fathered three children. In a 2009 interview he spoke about an ongoing struggle to reconcile cultural gender roles and described himself as being transgender or possible third sex. O'Brien stated, 'There is a continuum between male and female. Some are hard-wired one way or another, I’m in between.'

Jackie Curtis

Jackie Curtis born 19 February 1947 (d. 1985)

John Holder Jr, better known as Jackie Curtis, was a famous transgendered film star, poet and playwright.

Curtis was born in New York City, and later died there of a drug overdose. He spent part of his life living and performing as a man (sometimes adopting a James Dean persona) and sometimes as a woman.

While living and performing in drag, she would typically wear lipstick, glitter around the eyes and in her frizzed-out red hair, and a dress, frequently ripped and torn, as were her stockings. This unique style, a combination of trash and glamour which Curtis pioneered in the late 1960s when frequenting such high profile nightclubs as Max's Kansas City, has prompted assertions that Jackie inspired the Glam Rock persona of the 1970s.

'Jackie Curtis is not a drag queen. Jackie is an artist. A pioneer without a frontier,' Andy Warhol said of his associate. Primarily a stage actor, Curtis debuted at the age of 17 in Tom Eyen's play Miss Neferititi Regrets. Curtis began to write his own plays immediately after this experience, often featuring famous transsexuals, such as his friend Candy Darling and, later, Holly Woodlawn, both of whom appeared in his productions which enjoyed successful runs Off-Off-Broadway and were well-reviewed in New York. Curtis's work is representative of the Theatre of the Ridiculous.

As writer and lead actress some of her plays include: Glamour, Glory and Gold, which also starred Candy Darling and Melba LaRose Jr; Amerika Cleopatra which featured Harvey Fierstein; Femme Fatale, with Patti Smith, Jayne County (at that time billed as Wayne County) and Penny Arcade; and Heaven Grand In Amber Orbit with Holly Woodlawn, produced by John Vaccaro's Playhouse of the Ridiculous in 1970.

These plays caught the attention of Andy Warhol and his director Paul Morrissey, who cast Jackie and Candy in Flesh (1968) and, with the addition of Holly Woodlawn, in Women in Revolt (1971); a hilarious spoof of the women's liberation movement in which all the female leads are played by transsexuals and transvestites. Warhol films directed by Morrissey were made in a completely improvised. Morrissey gave the actors the basic idea of the scene and line suggestions and then simply let the camera roll.



Apart from acting, Curtis also showed talent in poetry and singing. In 1974 Curtis and Woodlawn appeared in the successful and critically acclaimed Cabaret in the Sky at the New York Cultural Center. A CD of songs by Paul Serrato from the Curtis musicals Lucky Wonderful and Vain Victory, including the love ballad Who Are You which Curtis sang (as a man) to Candy Darling, was released in 2004.

Curtis was also the 'Jackie' in Lou Reed's song Walk On The Wild Side, which was about the 'superstars' Reed knew from Andy Warhol's studio The Factory. The verse speaks of his drug addiction and fascination with James Dean: '...Jackie is just speeding away - Thought she was James Dean for a day... then she just had to crash, valium would have helped that bash...'

Jackie Curtis made two more movies during the 1980s. Drug addiction, however, had taken control of Curtis's life, eventually leading to his death.

In 2004, a film based on Curtis's life, Superstar in a Housedress, brought Jackie Curtis back to the limelight, exposing some little known facts about the performer to the public.

Curtis's influence on a number of people, friends and associates such as Holly Woodlawn, Joe Dallesandro and Penny Arcade, and observers such as David Bowie, is noted in the film. As well, Jayne County writes of Jackie as being '...the biggest influence on me at this time.' Whether her influence was in the realm of style, with her use of glitter that predated the glam rockers, or her ripped and torn dresses and stockings that predated punk, employing the use of performance both on and off stage and screen; or in the more traditional arts of playwriting and poetry, both attest to her critique of glamour, fame and pop culture in America that she explored in several mediums. However, it was perhaps her bravery in gender transgressions that is Jackie Curtis's legacy.

Candy Darling

Candy Darling born 24 November 1944* (d. 1974)

Candy Darling was a pre-op transsexual Warhol superstar who starred in Andy Warhol's films Flesh (1968) and Women in Revolt (1971).

Candy Darling was born James Lawrence Slattery in Forest Hills, New York, son of a bookkeeper at Manhattan's Jockey Club and a father who was described as a violent alcoholic. There is some conjecture around Candy's year of birth. According to former Warhol associate, Bob Colacello, Candy was born in 1946, while IMDb has listed her year of birth as 1948. Her friend, roommate, and posthumous editor, Jeremiah Newton, states that she was born in 1944.

Early years - as a male - were spent in Massapequa Park, Long Island, New York where he and his mother had moved after his parents divorced. His half-brother Warren, from his mother's first marriage, left home for the US military, leaving Jimmy as the only child; Warren later denied his connection to Candy/Jimmy.

Jimmy spent much of his childhood absorbing the influences of US television and old Hollywood movies, from which he learned to impersonate his favourite actors and actresses - his favorite being Joan Bennett and Kim Novak. He claimed to have 'learned about the mysteries of sex from a salesman in a local children's shoe store' and finally revealed an inclination towards cross-dressing when his mother confronted him about local rumours which described him dressed as a girl frequenting a local gay bar called The Hayloft. In response Jimmy left the room and reappeared in full drag. His mother later said that, 'I knew then... that I couldn't stop Jimmy. Candy was just too beautiful and talented.'

Late at night Candy would often take a cab (thereby avoiding the attention of neighbours she would receive if she walked) a short distance to the Long Island Rail Road station for the train to Manhattan. Once there, she referred to her modest home in Massepequa Park as her 'country house' and hung out in Greenwich Village, meeting people through the circle of Seymour Levy on Bleecker Street.

Her first assumed name was Hope Slattery. Candy adopted this name sometime in 1963/1964 after she started going to gay bars in Manhattan and making visits to a doctor on Fifth Avenue for hormone injections. Jackie Curtis claimed that Candy adopted the name from a well-known Off-Off Broadway actress named Hope Stansbury, with whom she lived with for a few months in an apartment behind the Caffe Cino so he could study her. Holly Woodlawn remembers that Candy's name evolved from Hope Dahl to Candy Dahl and then to Candy Cane. In her autobiography, Woodlawn recalled that Candy had adopted the last name of Darling because a friend of hers affectionately called 'Candy, darling' so often that it finally stuck.

Before they actually met in 1967, Candy saw Andy Warhol at the after-hours club called The Tenth of Always. Candy was with Jackie Curtis, who invited Warhol to the play she had written and directed called Glamour, Glory and Gold.

It wasn't long before Warhol invited Candy to appear in one of his movies. She was given a short comedic scene in Flesh (1968) with Jackie Curtis and Joe Dallesandro. After Flesh, Candy was cast in a central role in Women In Revolt (1971). She played a Long Island socialite drawn into a woman's liberation group called PIGS (Politically Involved Girls) by a character played by Jackie Curtis.

Women in Revolt was first shown at the first Los Angeles Filmex as Sex. Later it was shown as Andy Warhol's Women, an homage to George Cukor. Unable to get a distributor for the film, Warhol rented out a small cinema in New York and launched the film with a celebrity preview on February 16, 1972. After the screening there was a dinner in Candy's honor at the restaurant, Le Parc Perigord on Park Avenue at 63rd Street, followed by a party at Francesco Scavullo's townhouse round the corner, where they watched disastrous TV reviews of the movie.

Candy Darling went on to appear in other independent films. She also appeared in Klute (as an extra in the disco scene) with Jane Fonda and Lady Liberty with Sophia Loren. Her attempt at cracking the mainstream movie circuit - by campaigning for the leading role in Myra Breckinridge (1970) - led to rejection and bitterness.

Theatre credits include two Jackie Curtis plays - Glamour, Glory and Gold (1967) and Vain Victory: The Vicissitudes of the Damned (1971) and Tennessee Williams' play, Small Craft Warnings, at the invitation of Williams himself. She also starred in the 1973 Off-Broadway revival of The White Whore and the Bit Player, a 1964 play by Tom Eyen. Darling's character, a Hollywood actress known only as 'the Whore', was based on Marilyn Monroe [pictured].

Candy succumbed to leukemia and pneumonia on 21 March 1974, aged about 29. She allegedly developed leukemia as a result of the hormones she had been taking, the long-term results of which had not been sufficiently studied. In a letter written on her deathbed and intended for Andy Warhol and his followers, Darling said, 'Unfortunately before my death I had no desire left for life ... I am just so bored by everything. You might say bored to death. (D)id you know I couldn't last. I always knew it. I wish I could meet you all again.'

Her funeral was attended by huge crowds; Gloria Swanson was remembered for saluting Darling's coffin. The New York Times honoured her request that her obituary should appear on the front page of that newspaper.


She is the subject of The Velvet Underground's song Candy Says and was one of several Warhol associates mentioned in Lou Reed's Walk on the Wild Side.

Peter Hujar's photo, 'Candy Darling on her Deathbed' was used by Antony and the Johnsons for the cover of their 2005 Mercury Music Prize winning album I Am a Bird Now. [pictured above]

An image of her, taken from Women In Revolt, was also featured on the front cover of the 1989 single Sheila Take a Bow by The Smiths. This was in keeping with lead singer Morrissey's penchant for using photographs of sometimes obscure cultural icons on the band's record sleeves.

Holly Woodlawn

Holly Woodlawn born 26 October 1946

Holly Woodlawn (born Haroldo Santiago Franceschi Rodriguez Danhakl) is a transvestite and former Warhol superstar, who appeared in his movies Trash (1970) and Women in Revolt (1972).

Born in Juana Diaz, Puerto Rico, she adopted the name Holly as an homage to the heroine of Breakfast at Tiffany's and in 1969 added the surname from a sign she saw on an episode of I Love Lucy.

She met Andy Warhol in the Factory at a screening of Flesh. Through him she met Jackie Curtis, who cast Woodlawn in her play Heaven Grand in Amber Orbit in the autumn of 1969. In October she was assigned a bit role in Trash, but so impressed director Paul Morrissey that she was given a larger role.

In May 1971, Woodlawn replaced Candy Darling at the La Mama Theatre, New York in a production of Vain Victory written and directed by Jackie Curtis. She was arrested and briefly incarcerated in Puerto Rico after being caught shoplifting.

By 1976 the work had dried up, and Woodlawn moved to San Francisco. She returned to New York later in the year and had a brief revival after appearing on Geraldo Rivera's talk show before being jailed again in 1977 for not fulfilling a previous probation obligation. She was released on the appeal of politician Ethan Geto, who helped organise a benefit for her.

Woodlawn continued to make cameo appearances in plays and films such as Billy's Hollywood Screen Kiss throughout the 1980s and 1990s. After Warhol's death, she was a frequently requested commentator on his life and influence. She currently resides in West Hollywood.

Woodlawn began performing in cabaret shows in sold-out New York and Los Angeles performances in the early 2000s.

Like so many of Warhol's Factory, she is mentioned in Lou Reed's Walk On The Wild Side: 'Holly came from Miami FLA, / hitch-hiked her way across the USA, / plucked her eyebrows on the way, / shaved her legs, and then he was a she...'

Divine

Divine born 19 October 1945 (d. 1988)

Harris Glenn Milstead was best known for his drag persona, Divine.

Born in Towson, Maryland, at the age of 12 the family moved to Lutherville, a suburb of Baltimore. John Waters was a childhood friend who lived six houses down the street. It was to be a fateful friendship.

Milstead starred in a number of films and was part of the regular cast known as the Dreamlanders. The Dreamlanders appeared in many of John Waters's earlier works such as Pink Flamingos, which contained an unforgettable final scene in which he ate dog shit, Female Trouble, Polyester, and Hairspray. Repeating their successful pairing in Polyester, in 1985 Divine appeared opposite Tab Hunter in their bigger hit Lust in the Dust.

In the 1980s, Divine's high energy records were hits through America, Europe, and Australia. The early records were composed, created, performed and produced by unsung electronic dance music pioneer Bobby Orlando. His club appearances - I was privileged to see him perform twice and even met him once - were outrageous, filthy, hilarious and hugely entertaining. In Britain, his Stock, Aitken and Waterman record You Think You're A Man was his most successful hit, reaching No 16 and resulting in an unforgettable appearance on Top of the Pops.

Late in his career, Divine also played in non-drag roles in his last three films: Trouble in Mind, Hairspray, and Out of the Dark. In Hairspray he played two roles, one male and one female (which he had first done in the earlier Female Trouble).

In 1988, Divine was chosen to portray the dual character of Peggy Bundy's Mother and her Uncle Otto on the hit comedy series Married With Children. Quite unexpectedly, he died at age 42 from sleep apnea in Los Angeles, California. The cause was attributed to his obesity. The producers of Married With Children sent flowers to the funeral, along with a humorous card that read, "If you didn't want to do the show, you could have just SAID something!"

His funeral in Towson, Maryland was preceded by a funeral procession attended by thousands.

Glenn was born before civil rights, gay rights, or women's rights... God doesn't want people created out of a Xerox machine... The tragedy is that Glenn was cut off right at the point of becoming who he really was, and the world will never see how that flower could have unfolded.

Reverend Leland Higginbotham at Divine's eulogy; Baltimore, Maryland, March, 1988